Agora Phobia (Digitalis)

Performance & Installation
2000-2009
Amsterdam/Berlin/NewYork/Paris
With generous support of: Mondriaanfoundation, Amsterdam Fund for the Arts, Fund for Art design and Architecture, National Fund for the Performing Arts, Foundation DasArts, Prince Bernhard Culture Fund, Berliner Kulturveranstaltungs-GmbH Berlin, [NES]theaters, the Dutch Ambassy in Germany and Paris; Dutch consulat in New York (USA). Website hosting donated by Driebit Amsterdam, www.driebit.nl In collaboration with: Rens Bouma / imaginAiR - design inflatable; Robert Steijn; Jellichje Reijnders.

What is a safe place for you?
How would you describe an unsafe place?
When and where do you feel isolated?
How do you control your space?

Agora Phobia (digitalis) is a mobile monument for ‘public isolation’. Travelling since 2000 in city public spaces such as Amsterdam, Paris, New York, Berlin it questions and archives mental images and strategies for being (un)safe and isolated. The project connects social experiences in both the physical and the virtual space creating a hybrid agora.

Project Description: Agora Phobia (digitalis) invites you in a semi-transparent, inflatable Isolation Pillar, in crowded city public spaces. Inside the Isolation Pillar one feels safe within an intimate space; and at the same time, lacking control over the outside, one feels vulnerable. The Isolation Pillar provides for an isolated communication space in which notions of being inside and being outside are reversible.

In the Isolation Pillar is an online computer. You are invited for an online dialogue with someone who lives isolated somewhere else, such as someone who has been living in prison, someone who lives in a cloister, someone living illegally in the city, a digi-persona, someone suffering from agoraphobia - who are invited as 'experience-specialists'.
Each dialogue connection is set up by the artists, in collaboration with assistants; creating a social network for each specific city. For example, in New York AP(d) was shown 9/11, 2003; as a live monument for isolation and (un)safety. 'Experience-specialists' were people suffering from memories of 9/11, people from prison (on parole), people from the Muslim community in New York. On Alexanderplatz, Berlin, 'experience-specialists' included people who lost contact with their families and friends for years when overnight the Berlin wall was built; people who lived in Stasi prison; and people living without legal status, in Berlin today.

Each dialogue is published on www.agora-phobia-digitalis.org and becomes part of an database of chat-sheets, performances and installations. The website also offers the opportunity to participate at home by monologue. Each dialogue connection is set up by the artists, in collaboration with assistants and hosted on location; creating both a locally dedicated and a trans city hybrid social network.

AWARD
Agora Phobia (digitalis) is part of the Netherlands Digital Art Canon 1960–2000
selected by LIMA platform for media art Amsterdam.
About the Digital Canon: "Experts from the field of digital culture selected twenty of the most prominent and influential works since 1960 made on Dutch soil by artists."

SHOWS
2000 De Appel, Amsterdam Curator: Zdenka Badovinac. Exhibition: 'Unlimited.nl#3'.
2000 Stedelijk Museum Amsterdam Exhibition: 'Municipal Acquisitions'.
2001 Artfair and Podewil Berlin, Curator: Wilhelm Grosz
2002 Foundation DasArts.
2003 SKOR / City of Utrecht Leidse Rijn. Exhibition: Parasite Paradise
2003 Eyebeam New York Curator: Benjamin Weil
2004 Villette Numerique Paris, Curator Benjamin Weil
2004 MUU Galleria Helsinki. Exhibition: 'Direct exposure'
2007 www.Volkskrant.nl/oog Curator: Nannette Hoogslag
2007 CBK Amsterdam, in the frame work of: Herdenking moord-aanslag op Theo van Gogh
2019 [Part of Digital Art Canon 1960–2000 by LIMA Amsterdam](https://www.digitalcanon.nl/)
2023 Het Nieuwe Instituut Rotterdam and LIMA Amsterdam: 'REBOOT, Pioneering Digital Art', an exhibition featuring key works from 1960 to 2000, plus new interpretations by contemporary makers.